uks main acid export has to be chris moss acid. over the course of the last fifteen years he has released a stream of uncompromising, top notch acid on all sorts of labels. we are super proud he has now joined the ranks of the nyh fam with these four heavy hitting cuts. the nazareth ep brings some of his best work to date together, dark and dense monolithic slabs of hard acid!

das label acid jazz leitet eine neue Ära ein. es wird nicht nur ein großer teil des back catalogues wiederveröffentlicht, sondern auch zeitgenössische bands veröffentlichen brandneue alben. zu diesen gehören new street adventure. sänger und gitarrist nick corbin gründete die band 2007 mit dem anspruch pop und moderne soul-einflüsse elegant zu verbinden. nach dem album -no hard feelings- ist dies der zweite streich unter der flagge von acid jazz. mit -stubborn sons- sieht sich die band in der tradition von curtis mayfield oder the jam, beides acts die das politisch unruhige klima ihrer jeweiligen dekaden - die 70er und 80er jahre - in ihrer musik verarbeiteten und kritisierten. so sind die texte kritisch, die musik hingegen erstaunlich groovy.

todd osborn & tadd mullinix return for part 3 of their analogue acid project! more info to follow.

minimalistic art sublabel, 0000, kicks things off with scribble acid, an ep from man at the top, brayan valenzuela. title track scribble acid is a mixture of acid sounds and saturated kicks combined to create an industrial techno line. 0000 differs, highlighting the simpler sound of acid. error makes use of metallic percussion to devastating effect but is lined with pauses in all the right places to allow you to breathe.

emotional rescue presents the final part of their suns of arqa trilogy with two of their deepest world dubs in acid tabla and asian rebel. capturing their fusion of folk, reggae and dance to perfection, these heavy vibrations are backed with pulsating remixes from adrian sherwood and the hyphen collective

we dont have much info to give about vicram, partly because the artist doesn t want us to communicate the few things we know. but this is his first ep. its super raw - not necessarily rough. raw like a piece of sushi, an unpolished unvarnished beautiful piece of wood, raw like those bare drum machines and simple acid lines. almost naive, like those early 90s idm-techno record we cherish but with a very different angle. as usual, we liked vicram because we dont really understand how he makes his music.

in november last year, undo released “disconnect”, his third album. a charming long-player that has won very good feedbacks and reviews. now it’s time to unveil the first ep with remixes from the album. a great and variate package including reworks from friends and artists he admires as mexican iñigo vontier, russian dimitri veimar and belgium cabaret nocturne. there’s also a new mix by undo himself.

acid pauli is a name synonymous with certain aesthetic towards electronic music culture - both a part of the unhooked generation of that grew up experiencing his revelatory sets at places like bar 25 and fusion, and yet deeply rooted in musicality and adventurousness. bld, the second full album from martin gretschmann, (aka acid pauli), builds on his already impressive back catalogue which spans back to 2005, and includes a debut album released on nicolas jaar’s clown and sunset. over the course of the eight tracks here, gretschmann explores some of the many facets that have made him one of the most trusted artists in his field. released on his own (and nico stojan’s) label ouïe - the album is the perfect expression of the imprint’s commitment to diverse, exciting sounds, freed of the conventions of traditional club music. the album covers a number of moods and emotions, from dystopian carnivalesque vibes to moments of high intensity, through to deep melancholia and synth laden ambience. gretschmann’s well documented love of the sampler shines throughout - tracks are textured and colored with different hues from his extensive sound palette, whether it’s a part of his more psychedelic moments, or concentrated on his innate knowledge of dancefloor dynamics. as such bld sits together as a complete piece of music - to be relished just as much by blissed out home listeners as the left-field dancers.

aelfric michael avery has been a self-reliant artist for a long time. the canadian producer has been exploring underground acid and rough, homemade techno since releasing his first material as avery monarch back in 1994. however it wasn’t until more than ten years later that his music would surface again on his own napalm enema label. napalm enema has also carried work by the likes of faltydl, paul blackford and mrs jynx. avery has released just as much music under his acid elf guise, most notably appearing alongside +10 acid crew (jodey kendrick) for the sought-after bruvs acid ep, and now the alias makes a welcome return to vinyl with four essential tracks from the archives. there’s a subdued, hypnotic and delirious quality to the productions on this ep for arma, ranging from the uneasy delay pulses of fetus to the metallic clamour of urban wasteland, but most importantly they’re all injected with a distinctive personality that stands apart from the 303-tweaking masses.

this record definitely takes a bit more of a layered approach - natan h offers us yet another unique, immersive, and charismatic release for acid camp records. acid camp records is rolling through again, this time with an artist known for his atmospheric and cosmic-oriented tracks, natan h. conveying inspiration for this record, just a little nod to extrasensory experiences and perception, is undoubtedly fitting for acrs second release. the opening track, atmosphere, breaks away from 4/4 timing with o-kilter drums that traverse into a heavier beat, pushing the track forward just to bring it right back at the end. followed up with a remix from techno serialist, conforce. through his use of a low pass filter, polyrhythms, and fervor conforce delivers a track nothing short of the prototype for driving techno. remote view pt. i turns out an ambient break and taking the listener to a space of the ethereal and planetary. the ep closes with remote view pt. ii, which incorperates layers of hi-hats, delayed strings, and synths that alternate throughout the arrangement in syncopation.

frankfurts favourite roman flu&#776,gel returns to phonica records with the black acid ep, a four tracker of flu&#776,,,,gels signature black magic.

this is the return of sfv acid??s smooth and elastic funk as the single-edition jazzchamber ep, previously released with the doep 12 inch combo. three outright killer tracks on a black 10 inch with a risograph printed inlay designed by sfv acid himself and a bright blue innersleeve and chrome sticker by the bakk summer specialists.

matrixxman has been a dekmantel regular for a couple of years now. the san francisco producer continues to impress with a new triptych for dekmantel records. over the course of three eps (rhythm, acid, polyphony), charles mccloud duff displays his versatile and original take on house and techno. the concept of the triptych is to explore the range within the confines of a particular limitation. this second ep sector ii: acid- shows an exercise in acid. similarly, the tb-303 may conjure certain knee-jerk reactions at a glance, but acid has the potential to cover a broader palette of emotion than one might initially expect. sector ii holds three squirming 303 sequences and the classic rhythmic drum programming of arrival, bad acid and i am matrix. rites on the other hand is more subtle and fluent, swinging with hazy acid flourishes and dynamic syncopation.

after a first collaboration focusing on the city of angels, la legend john tejada and acid innovator tin man (johannes auvinen), this time brooding on the latters home city, and formers birthplace, vienna. the austrian capital is known as the city of music and the city of dreams, two broadly aligning concepts that go far in describing this beguiling 12-inch. the four songs were mixed down live to 2 tracks, created in the real world without a daw, or multi tracking, which has really captured the spirit of performance and improvisation. succeeding railjet, a tense drum workout, comes bim, referring to the colorful trams that run through vienna. here, auvinen sculpts his 303 into near-pizzicato form. the acid box is accompanied by stately pads making for one of the duo’s most memorable tracks yet. the next cut, danube nights, references the mighty, ancient river, the flow motion mirrored by a couple of widescreen acid lines. a pensive lead and some melancholy chords emerge, but the drums roll right along like the water- tough enough for a heaving floor with a hint of fragility for the headphones. the record concludes with the acidic prater allee, named after idyllic, sprawling park on the banks of the danube. the duos love letter to vienna is well-suited for travel, for the dance and for dreaming.

tin man drops a series of six twelve inches with some hot juicy liquid acid tracks in his welknown style.... hypnotic, trippy, ultra seductive and addictive tracks! hot stuff for these cold winter days!

dripping acid is a series of 6 separate 12-s exploring themes of melodic liquid acid. part 2 of 6 limited releases by the tin man!!

dripping acid is a series of 6 separate 12-s exploring themes of melodic liquid acid. part 3 of 6 limited releases by the tin man!! e1 undertow acid f1 drenched acid f2 oily acid

dripping acid is a series of 6 separate 12-s exploring themes of melodic liquid acid. part 4 of 6 limited releases by the tin man!!

dripping acid is a series of 6 separate 12-s exploring themes of melodic liquid acid. part 5 of 6 limited releases by the tin man!! i1 washing acid j1 diving acid

dripping acid is a series of 6 separate 12-s exploring themes of melodic liquid acid. part 6 of 6 limited releases by the tin man!!

lossless releases # 004, 005 & 006 all bundled up for one special price!

af is introducing echo 106 to the family and fans of analogue techno should investigate. the swiss duo debuts on analogical force after many fine releases on lux records, jamal moss co-op mathemathics and appearances on brokntoys or 030303. shifting multiverse ep is one of the strongest released by the schn

here it is, the 12th disc on hotline recordings, ringing off two wicked & wild dancefloor abstractions from none other than gantz.
tut-tut situation has been doing the rounds on dubplate for some time now, with the bandulu massive, commodo, etch and the likes giving this one big support from day one – we’ve seen dancefloors bruk out like a bunch of confused nutters to this one… it’s a certified soundsystem banger for wrong’uns.
on the flip, gantz comes with a new direction of style, dipping into the acid-drenched rave sound of the 90’s with his own set of information. rugged, distorted rhythms grind up against an infectious melody and love’d up vocals, once again, this is proper party gear for all twisted minds (and legs even).

los angeles based acid camp records launches now with its debut release, simics: corot-7b. the seattle-based artists full-length ep, features four original tracks along with a remix of the records single corot-7b by john tejada.

new 12 inch from the acid mercenaries. previous releases on the infamous panzerkreuz from the haque. 6 track and 5 locked grooves of uncompremised acid!

excellent repress action from this huge album !!! very rare

vinyl only release - slamming acid / techno monster

third wave of acid avengers, introducing this time umwelt and v_3.378.

2019 repress! proto version acid tracks by the legendary mike dunn. 4 raw jacking acid and drumtracks from a true master!

love notes from brooklyn offers up this platter from a very exciting new brooklyn artist, subtenant. as it says on the tin, the artisanal acid ep is heavy on the 303 squelches and emotional content. each track has a unique pairing of soul and heavy acid funk. evergeen soul is the clear lead track here, using a female snippet to keep this otherwise tough little number dancefloor friendly. this track is then reworked by detroit underground darling, d marc cantu, who pitches things up into funky rave territory. the flip side sees the title track feature the most soulful chords on the entire record, and then on the b2 the artist himself takes to the mic on know how it feels. this whole ep feels live and direct from the brooklyn underground.

after the great ep -young and stupid-, ann clue & boris brejcha are back with their second single release -acid attack“. bringing back the classical 303 in one club banger and diving into a more deep melodic atmosphere in the second one called -roadtrip-.

we fade to grey / move any montain cover versions... fade to grey goes in a superb creative way to use vocodaz and finish with a bloody acid flyingaway trance feeling... b side goes techno, agressive and hard, dancefloor and powerfull screwdriver force !

after 20 years as a dj and several releases on labels just like anthony rother´s datapunk, dave clarke´s whitenoise or co-labs with gez varley from lfo, frank kusserow took a longer break from the active electronic music scene. in the meantime he produced tons of new tracks that result in his new and vinyl only imprint sprow recordings.

acidworx continue it s mysterious vinyl journeys and our long awaited acid9 is here ! this time we bring you two irresistible cuts of banging, acid driven techno on the a-side, an atmospheric acid journey on b1, and a funky acid tech dj tool on the b2.

nice price deal !!! ultraphat hypnotic groovin techhouse / acid house... incl chicken lips rmx

for that second split ep, we welcome again two young producers from the french scene. on your right, voiron, already seen on cracki records or rave or die, who composed for that ep two powerful tracks with devastating doom kicks. on your left, botine, who signs his first release with two -sensitive acid- tracks as he describes it himself.

dave the drummer and marcello perri get together once again with 2 tracks of techno goodness.
in safe hands: this is a hard bass-driven industrial kick-drum groove which meets some carefully placed vocal loops and a piercing high synth shot which gives the track a distinct warehouse party vibe. this track is going to detonate those dance floors!
acid future: this is the first time a squelchy acid line has ever featured on a hydraulix release. a tough rumbling reverberated drumbeat, firing on all cylinders with a squelchy 303 sat on top. it’s even got a voice and some reversed bits of 303! what more could you ask for?

bakk kicks off a new series of records with plafond 1 made for drowning in the deep end of the pool. legowelt, sfv acid and haron provide you with an eery collection of ambient harmonies and melodic rhythms best served when lying on the floor, gazing in to the abyss. comes in special screen printed outer sleeve and wicked obi strip made by the bakk centre for mindfulness.

the sixth release on voitax acid dedication is on the cutting edge between fast running 90 s acid revivals and deep timeless pieces. the first four tracker is a mix between abrasive techno tracks and mindblowing top notch stompers. voitax keeps pursuing the path of the undefinable while dedicating their passion to the sound and less to the producers behind the releases.

what would it feel like to have your naked body slowly submerged in a pool of steaming acid? one would expect unbearable pain, of course - beyond the limits of our imagination - but with his acid ambient vol. 1 on kontra-musik, daniel araya proves us wrong. the ems studio engineer and producer adjusts the intricate ph levels of this corrosive bubblebath with infinity skilled hands, making the experience thoroughly pleasurable - on the verge of erotic even. your skin melts away with a sweet sensation of laxity and your muscles and tendons dissolve sensually slow. at the end, nothing will remain below the surface but the pleasure center of your now diffused brain, pulsating with unrestrained satisfaction. so come on in, the acid is fine.

carbone records has been created as a platform for d. carbone’s own powerful productions and for new collaborative projects. carbon as an element represents darkness and energy which represents the concept and the sound of the label. the aim is to focus on a no compromise, raw, acid techno sound of the 90’s.

with an eye in the past and a foot in the future, acid avengers aims at federating the vibrant but little recognised acid french scene. through a series of split eps (jaquarius, monoenzyme-307, voiron, botine, umwelt, paris acid boys), the record label celebrates the hallucinated sounds of the golden age of rave. for that first release of fucked-up electro and raw techno, jaquarius and mono-enzyme 307 resuscitate the nineties sounds through a modern understanding of acid music. an ep for the legs and the brain, that will thrill all the braindancers

josh butler returns with the third installment of the kahu series kahu has become a concept that has allowed josh to explore areas of his taste outside what people may expect. the tracks draw influence from tribal rhythms but are manifested within a hard, yet stripped back, minimal style. this limited edition vinyl-only project showcases a darker side to the underground house josh butler has become synonymous with.

5 track acid house ep good for nightclubs. vocal and dub/instrumental mixes along with an acapella. out on chicagos house nation trax

acidworx kicks off their artist series with this lovely 3-tracker produced by harold de kinderen, and stefan robbers. the dutch duo known to the world as acid junkies really need no introduction. they have been amongst top producers of acid since 1992 when they first launched the acid classic track -sector 9- on the djax-up-beats label, followed by their successful album -paranoid experience- two years later. their newest release -time kills- on acidworx ranges from old skool acid bleeps to high tech electro with a scent of industrial and ebm-body music. a super funky acid remix of the track -drifters- by seri from japan is also included. limited edition first press on transparent 12-.

nice price deal !!! farewell, cheesy ambience tracks and garbage-bag rhythm sections, >acid bonanga ep< will blitzkrieg your ears: first chainsaw solo for lowlow and katrina hurricane drum programming on kazoo by biboune.

nice price deal !!! 2004 release by acid quiff aka the conformist.

john frusciantes foregrow doesnt sound like any acid test record, or any record, thats come before it. after the unlikely alliance between the los angeles label and the iconoclastic venice, ca musician on trickfinger, all bets are off. this one’s truly a passage through night. foregrow is a lurching, lysergic beauty which offers glimpses of his platinum pop instincts, but only behind the veil of true experimentalism.